![]() Batman scriptwriter David Goyer, who co-wrote the first two games, is back on board and overall the story so far hits the series’ original pillars of historical accuracy and weird shit™. This is a “narrative sequel” to Black Ops 1 according to Treyarch’s Dan Bunting, so it neatly skips the generational jumps of Black Ops 2 and the full-on sci-fi future leap of Black Ops 3. The missions they undertake are illicit - “everything we do is illegal,” barks Woods during a debrief - and in some cases possibly not real (which I’ll get to), but everything has that old school cool feel you only really get from aviators, chunky leather jackets and smoking like you’re on camera. This time the team, and you, will be chasing down Perseus - an allegedly real-life Soviet spy linked to stealing nuclear secrets in the 40s and 50s. “They can name them, pick a skin tone, pick a gender, make them male or female or even leave that classified and the game will treat that as gender-neutral, changing VO to ‘He’, ‘She’, ‘They’, ‘Him’, ‘Her’, ‘Them’." “Players will be able to create their own character,” explains Dan Vondrak, Raven’s senior creative director. There are some new characters as well, but also one very important addition: you.Īlongside the familiar faces, Black Ops Cold War character creation means you’ll be playing as a fully customisable character known as ‘Bell’, built by revealing or redacting entries on a classified document. ![]() It’s a Cold War tale set in the early 1980s that sees Woods, Hudson and Mason reunited, although with an all-new voice cast (no sign of Resnov yet). Shown on PS5, Black Ops Cold War has the same shiny new engine sheen that made Captain Price’s return look like such a step forward, but this time with all the things you’d hope from a Black Ops game. It’s a good start for a Call of Duty that has the unenviable task of following Modern Warfare.
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